Straight & documentary photography

Paul Strand

1890–1976 · United States / France

Clarity of form, the presence of people.

The story

Trained by Lewis Hine, Paul Strand developed a photography attentive to forms and people in New York. His early images circulated in Camera Work. He also worked in cinema, then created books combining landscapes, architecture and portraits in different countries. The precision of the print and the arrangement of image groups give the document both a formal and a political dimension.

Understanding the work

Look at surfaces and the distances between forms. In portraits, observe how the face remains an individual presence within a rigorous composition.

Key works and series

Blind Woman; Wall Street; Un Paese; Tir a’Mhurain.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · 1915

    Untitled

    Platinum print

  2. MoMA · 1915

    City Hall Park, New York

    Photogravure

  3. MoMA · 1916

    Portrait, New York

    Platinum print

  4. MoMA · 1916

    Untitled

    Photogravure

  5. MoMA · 1916

    Porch Railings, Twin Lakes, Connecticut

    Silver platinum print

  6. MoMA · 1927-28

    Gaston Lachaise

    Gelatin silver print

  7. MoMA · 1929

    Leaves II

    Platinum print

  8. MoMA · 1932

    Abandoned Church, Taos

    Gelatin silver print

  9. MoMA · 1950

    Café de la Paix

    Gelatin silver print

  10. MoMA · 1953

    Boy

    Gelatin silver print

Other perspectives.

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