Pictorialism & abstraction

Alvin Langdon Coburn

1882–1966 · United States / United Kingdom

From Pictorialist atmospheres to abstract forms.

The story

Alvin Langdon Coburn participated in American and British Pictorialist networks before exploring more radical urban viewpoints. Photographing from high above New York, he sometimes reduced the street to an arrangement of lines and surfaces. His Vortographs pushed experimentation towards abstraction. Portraits, cityscapes and optical investigations reveal a body of work in transformation rather than a fixed signature.

Understanding the work

Compare an atmospheric view with a high-angle urban image. Follow what happens to the subject when perspective, mirrors or fragmentation bring forms to the foreground.

Key works and series

The Octopus; portraits in Men of Mark; Vortographs.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · c. 1901

    Album containing photographs, drawings and clippings

    Gum, platinum, and gelatin silver prints and one ferrotype

    Various Artists · Gertrude Käsebier · Alvin Langdon Coburn · Unidentified photographer · Edward Steichen

  2. MoMA · 1905

    Self Portrait

    Platinum print

  3. MoMA · c. 1906-07

    Hyde Park Corner, London

    Photogravure

  4. MoMA · 1908

    Untitled

    Photogravure

  5. MoMA · c. 1910

    Untitled

    Photogravure

  6. MoMA · 1910

    The Tower, London

    Photogravure

  7. MoMA · 1912

    The Cloud

    Platinum print

  8. MoMA · 1916–17

    Vortograph of Ezra Pound

    Gelatin silver print

  9. MoMA · 1901

    Portrait of Edward Steichen

    Platinum print

Other perspectives.

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