Modernisms

Alexander Rodchenko

1891–1956 · Russia / USSR

Changing the angle to change the way we see.

The story

A painter, graphic designer and photographer, Rodchenko took part in Soviet Constructivist experimentation. His photographs use high and low angles and diagonals to break with familiar viewpoints. They also circulated through posters, magazines and photomontages. This visual invention belongs to a specific political context: the construction of a new society and its contradictions accompanied the ways these images were made, published and received.

Understanding the work

Observe how a high or very low viewpoint changes the reading of a gesture. Then connect this graphic construction to its publication and the context of the commission.

Key works and series

Portraits; staircases; sports photographs; photomontages.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · 1924

    Vladimir Mayakovsky

    Gelatin silver print

  2. MoMA · 1924

    Untitled (Aleksei Gan)

    Gelatin silver print

  3. MoMA · 1926-27

    Untitled

    Gelatin silver print

  4. MoMA · 1927

    Pine Trees, Pushkino

    Gelatin silver print

  5. MoMA · 1928

    At the Telephone

    Gelatin silver print

  6. MoMA · 1929

    Volnovod (Waveguide)

    Gelatin silver print

  7. MoMA · 1930

    Pioneer Girl

    Gelatin silver print

  8. MoMA · 1932

    Demonstration

    Gelatin silver print

  9. MoMA · 1935

    An Oath

    Gelatin silver print, printed 1937

  10. MoMA · 1940

    Page layout for Mayakovsky Memorial issue of USSR in Construction, no. 7

    Gelatin silver print

    Aleksandr Rodchenko · Varvara Stepanova

Other perspectives.

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