New Objectivity

Albert Renger-Patzsch

1897–1966 · Germany

The structure of things, from plant to factory.

The story

Albert Renger-Patzsch sought precise descriptions of plants, objects, buildings and industrial landscapes. His book Die Welt ist schön, published in 1928, brings these families of forms together. Associated with New Objectivity, he championed the distinctive means of photography: sharpness, texture and viewpoint. His work on the Ruhr connects this formal attention to tangible changes in the landscape.

Understanding the work

Compare the structure of a plant with that of a machine. Repetition, texture and framing create connections without erasing the objects’ functions.

Key works and series

Die Welt ist schön; plants; industrial landscapes of the Ruhr.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · 1922

    Foxglove (Fingerhut)

    Gelatin silver print

  2. MoMA · 1922

    Heterotrichum Macrodon

    Gelatin silver print

  3. MoMA · 1925

    Potter's Hands

    Gelatin silver print

  4. MoMA · 1929

    The Little Tree

    Gelatin silver print

  5. MoMA · 1929

    Iron Hand, Essen

    Gelatin silver print

  6. MoMA · 1929

    Untitled (Essen)

    Gelatin silver print

  7. MoMA · 1929

    Pitmen's houses in Essen, Stoppenberg

    Gelatin silver print

  8. MoMA · 1930

    Street in Essen

    Gelatin silver print

  9. MoMA · 1930

    Window of a Building by Hanns Schwippert

    Gelatin silver print

  10. MoMA · c. 1955

    Pine Trees in Nuremberg State Forest

    Gelatin silver print

Other perspectives.

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