Street photography & photojournalism

Weegee

1899–1968 · United States

The city under the flash.

The story

Arthur Fellig, known as Weegee, built his reputation photographing crime and incidents in New York. He followed emergency responses and also photographed onlookers, crowds and moments of leisure. His book Naked City helped shape the metropolis’s visual mythology. He later explored Hollywood and distortion. Spectacle remained a connecting thread: the spectacle of events, but also of the people watching them.

Understanding the work

Shift attention from the event to the spectators. Flash illuminates a scene, but can also reveal curiosity, spectacle and the photographer’s position.

Key works and series

Naked City; New York crime and incident photographs; crowds; distorted portraits.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · December 14, 1939

    Tenement Fire

    Gelatin silver print

  2. MoMA · July 22, 1940

    Coney Island

    Gelatin silver print

  3. MoMA · 1941

    Captured Burglar

    Gelatin silver print

  4. MoMA · January 1941

    Booked on Suspicion of Killing a Policeman

    Gelatin silver print

  5. MoMA · 1942

    Time is Short

    Gelatin silver print

  6. MoMA · 1942

    Saloon Brawl

    Gelatin silver print

  7. MoMA · c. 1943

    Refugees from a Tenement Fire

    Gelatin silver print

  8. MoMA · November 10, 1944

    Frank Pape, Arrested for Homicide, November 10, 1944

    Gelatin silver print

  9. MoMA · c. 1950

    Movie Theater Distortion

    Gelatin silver print

Other perspectives.

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