Documentary

Shōmei Tōmatsu

1930–2012 · Japan

Reading the postwar era in traces of the present.

The story

Shōmei Tōmatsu developed a body of work in Japan attentive to the consequences of war, social change and the American presence. He photographed Nagasaki, cities and Okinawa without restricting himself to official events. A marked object, a face or a street scene can carry a collective history. His research contributed to the renewal of Japanese photography and to a reading of the traces left by the postwar period.

Understanding the work

Look for material clues rather than an immediately visible event. Details allow an observation of the present to coexist with historical wounds that the literal content of a photograph cannot fully show.

Key works and series

Nagasaki; Chewing Gum and Chocolate; photographs of Okinawa.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · 1957

    Local Politicians

    Gelatin silver print

  2. MoMA · 1959

    Aftermath of a Typhoon, Nagoya

    Gelatin silver print

  3. MoMA · 1960

    Occupied Japan -- Sailors, Yokosuka

    Gelatin silver print

  4. MoMA · 1961

    Christian with Keloidal Scars

    Gelatin silver print

  5. MoMA · 1961

    Hibakusha Fukuda Sumako, Nagasaki

    Gelatin silver print

  6. MoMA · 1962

    Sandwich Men, Tokyo

    Gelatin silver print

  7. MoMA · 1969

    B-52 taking off from Kadena Air Base

    Gelatin silver print

  8. MoMA · 1969

    Protest, Tokyo

    Gelatin silver print

  9. MoMA · 1991

    Plastics

    Silver dye bleach print

  10. MoMA · 1959

    Former War Factory, Osaka

    Gelatin silver print

Other perspectives.

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