Abstraction & sequence

Minor White

1908–1976 · United States

Photographing an inner experience.

The story

Minor White connected photography with an investigation of attention and inner experience. Landscapes, natural forms and architectural details are often organised in sequences rather than considered in isolation. A photographer, teacher and contributor to Aperture, he advocated a use of the medium that went beyond identifying objects. The visible world becomes the starting point for a sensitive reading in which images can respond to one another and transform perception.

Understanding the work

Look at the sequence before seeking an explanation for each photograph. Changes in light and texture suggest associations without imposing a single symbol to decipher.

Key works and series

Photographic sequences; landscapes and studies of forms; contributions to Aperture.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · 1941

    Farm, Grande Ronde Valley, Oregon

    Gelatin silver print

  2. MoMA · 1947

    Man and Moon, Matchstick Cove

    Gelatin silver print

  3. MoMA · 1949

    Lobos Sandstone, Slit, and Shadow

    Gelatin silver print

  4. MoMA · 1950

    San Fransisco Houses

    Gelatin silver print

  5. MoMA · 1955

    Two Barns and Shadow

    Gelatin silver print

  6. MoMA · 1958

    Hexagram (Chichi) Water over Fire

    Gelatin silver print

  7. MoMA · 1959

    Frost Forms: Galaxy

    Gelatin silver print

  8. MoMA · 1959

    Grand Teton National Park, Wyoming

    Gelatin silver print

  9. MoMA · 1960

    Haags Alley, Rochester

    Gelatin silver print

  10. MoMA · 1973

    Ponce, Puerto Rico

    Gelatin silver print

Other perspectives.

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