Portraiture & history

Mathew Brady

c. 1823–1896 · United States

The photographic studio and the memory of war.

The story

Mathew Brady ran portrait studios and organised the production of a substantial body of Civil War images. His name therefore also refers to a business and a network of photographers. Understanding this body of work requires distinguishing photographs taken by Brady from those made by his collaborators. Collection records help recover these precise attributions wherever possible.

Understanding the work

Compare the posed portrait with the field document. Always check the author named in the catalogue record: a studio credit does not necessarily identify the person behind the camera.

Key works and series

Portraits of Abraham Lincoln; nineteenth-century celebrities; Civil War archives.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · 1860-70

    Untitled

    Gelatin silver print

  2. MoMA · 1860-69

    Ernestine Souvenir

    Collage of albumen silver prints

  3. MoMA · c. 1860

    Untitled

    Ambrotype

  4. MoMA · c. 1862

    President Lincoln

    Albumen silver print

  5. MoMA · 1863-65

    Ruins of Richmond

    Collodion silver print

  6. MoMA · c. 1865

    Samuel Nelson

    Albumen silver print

  7. MoMA · April 1865

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

    Albumen silver print from a wet-collodion glass negative

  8. MoMA · 1865

    Ruins of the Gallego Flour Mills, Richmond, Virginia

    Albumen silver print

    Mathew B. Brady (studio of) · Alexander Gardner

  9. MoMA · c. 1870

    Mountague Bernard

    Albumen silver print

  10. MoMA · 1871

    Portrait of Robert Schenck

    Albumen silver print

Other perspectives.

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