Memory & the body

Ishiuchi Miyako

Born in 1947 · Japan

Traces of history in places and objects.

The story

Ishiuchi Miyako began by photographing Yokosuka, a city marked by the American military presence. Her work connects collective history with intimate experience. She later photographed skin, scars and objects left by her mother, followed by clothing belonging to victims of the bombing of Hiroshima. Whether grainy black and white or delicate colour, the photographic material helps make the passage of time tangible.

Understanding the work

Observe folds, signs of wear and transparencies. Objects need to be placed within their individual histories: they are not merely anonymous symbols.

Key works and series

Yokosuka Story; Apartment; Mother’s; ひろしま/hiroshima.

Sources & further exploration

Works in collections.

3 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · 1977

    Untitled #11

    Gelatin silver print, printed 1994

  2. MoMA · 1977

    Untitled #30

    Gelatin silver print, printed 1994

  3. MoMA · 1977

    Untitled #5 from the series Yokosuka Story

    Gelatin silver print, printed 1994

Other perspectives.

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