Origins & processes

Hippolyte Bayard

1801–1887 · France

Inventing, then staging.

Explore 4 works ↓
Windmills, Montmartre — Hippolyte Bayard
Windmills, Montmartre
Hippolyte Bayard · 1839
The Metropolitan Museum of Art — Gilman Collection, Gift of The Howard Gilman Foundation, 2005
CC0 — The Metropolitan Museum of Art · Reuse conditions · Artwork record

The story

Bayard developed a direct-positive photographic process on paper in the context of the announcements of 1839. He photographed portraits, studios, gardens and streets while defending his place among the medium’s inventors. His Autoportrait en noyé turns a claim into visual fiction. This early work demonstrates that photography can tell a fabricated story, and that an appearance of evidence does not rule out play or protest.

Understanding the work

Read image and text together when both are available. The pose, setting and accompanying narrative test our tendency to confuse a photograph with an event that actually happened.

Key works and series

Autoportrait en noyé; portraits and views of Paris.

Sources & further exploration

A journey through images.

4 works

Click an image to enlarge it. Captions, collections and reuse conditions appear below each work. Captions describe the photographs; the source records retain catalogue titles and provide context.

Works in collections.

1 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · c.1847

    Self-Portrait in the Garden

    Salted paper print

Other perspectives.

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