Street & experimentation

Daidō Moriyama

Born in 1938 · Japan

The street as a field of sensation.

The story

Daidō Moriyama photographs Japanese cities in a language marked by grain, contrast and unstable framing. Associated with the history of Provoke, he challenges the idea of a transparent description of the world. The street becomes a flow of fragments, signs, bodies and reproduced images. Books and reprints play an essential role in circulating images whose meanings also evolve through successive arrangements.

Understanding the work

Allow yourself to feel the contrasts before looking for a central subject. Then notice the fragments of consumer culture and urban space that connect a photograph with the following images in the book.

Key works and series

Japan: A Photo Theater; Farewell Photography; Stray Dog.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · 1970

    Whore, Yokosuka

    Gelatin silver print

  2. MoMA · 1971

    Stray Dog, Misawa

    Gelatin silver print

  3. MoMA · 1971

    Street Scene Through a Window, Misawa

    Gelatin silver print

  4. MoMA · 1971

    Mother and Her Children in Winter, Misawa

    Gelatin silver print

  5. MoMA · 1964

    Woman, Tokyo

    Gelatin silver print

  6. MoMA · 1966

    Housewife, Saitama

    Gelatin silver print

  7. MoMA · 1967

    Underground Actress, Tokyo

    Gelatin silver print

  8. MoMA · 1967

    Majorette, Tokyo

    Gelatin silver print

  9. MoMA · 1968

    Old Couple on a Pilgrimage, Shikoku

    Gelatin silver print

  10. MoMA · 1969

    Midnight Accident, Tokyo

    Gelatin silver print

Other perspectives.

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