Documentary

Bruce Davidson

Born in 1933 · United States

Staying long enough to meet people.

The story

Bruce Davidson developed projects in which the length of his presence was essential. He photographed young people in Brooklyn, the civil rights movement, a street in East Harlem and then the New York subway. These series do not present a homogeneous city: they describe specific groups and places. His documentary approach combines human proximity with formal choices, from black and white to the dense colours of Subway.

Understanding the work

Notice the distances between the camera and the people. Trust can sometimes be read in an ordinary gesture; also compare what the move to colour adds to the documentary narrative.

Key works and series

Brooklyn Gang; Time of Change; East 100th Street; Subway.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · 1948-58

    Untitled

    Gelatin silver print

  2. MoMA · 1959

    Untitled

    Gelatin silver print

  3. MoMA · 1960

    Women's Bowls, Hastings

    Gelatin silver print

  4. MoMA · 1963

    47th Street, New York

    Gelatin silver print

  5. MoMA · 1967

    Untitled

    Gelatin silver print, printed 1968

  6. MoMA · 1980

    Untitled, Subway, New York

    Dye transfer print, printed 2006

  7. MoMA · 1959

    Untitled from the series Brooklyn Gang

    Gelatin silver print

  8. MoMA · c. 1959

    Under the Coney Island Boardwalk

    Gelatin silver print

  9. MoMA · 1960

    London

    Gelatin silver print

  10. MoMA · 1960

    Brighton Beach

    Gelatin silver print

Other perspectives.

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