Architecture & the city

Berenice Abbott

1898–1991 · United States

Making a changing city legible.

The story

After a period in Paris, where she worked with Man Ray and discovered Atget, Abbott returned to the United States and began Changing New York. She recorded the metropolis’s transformations, contrasts of scale and the coexistence of old buildings with new architecture. She also developed a scientific photographic practice. Her images combine observation with education: rather than picturesque scenery, they seek ways to make urban or physical structures visible.

Understanding the work

Follow the lines that set old against new. A façade is more than an architectural subject: it reveals uses, neighbouring relationships and the organisation of a city.

Key works and series

Changing New York; scientific photographs.

Sources & further exploration

Works in collections.

10 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · July 16, 1936

    Canyon: Broadway and Exchange Place, Manhattan

    Gelatin silver print

  2. MoMA · 1926

    James Joyce

    Gelatin silver print

  3. MoMA · c. 1932

    Trinity Churchyard

    Gelatin silver print

  4. MoMA · December 19, 1935

    Firehouse, Park Avenue, East 135th Street, Manhattan

    Gelatin silver print

  5. MoMA · July 14, 1936

    Starrett-Lehigh Building, 601 West 26th Street, Manhattan

    Gelatin silver print

  6. MoMA · May 25, 1936

    McGraw-Hill Building, 330 West 42nd Street, Manhattan

    Gelatin silver print

  7. MoMA · October 8, 1936

    Park Avenue and 39th Street, Manhattan

    Gelatin silver print

  8. MoMA · March 23, 1937

    Corner of East 10th Street and Avenue D, Manhattan

    Gelatin silver print

  9. MoMA · 1938

    Snuff Shop, 113 Division Street, New York

    Gelatin silver print

  10. MoMA · 1949

    Old Cafe, Lafayette Hotel

    Gelatin silver print

Other perspectives.

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