Surrealism & social photography

Dora Maar

1907–1997 · France

Everyday reality touched by strangeness.

The story

In the 1930s, Dora Maar developed a photographic practice combining professional work, observation of the street and Surrealist experimentation. Her images explore shop windows, bodies, objects and transformative effects. She also worked in painting and publishing. Reading her photographs in their own right reveals an artist whose approaches extend far beyond her place in Picasso’s biography.

Understanding the work

Look for the moment when an ordinary detail becomes ambiguous: a mannequin, a shadow or a fragment of a body. A caption can solve a puzzle or leave it more open.

Key works and series

Mannequin in Window; portraits; street scenes; Surrealist photomontages.

Sources & further exploration

Works in collections.

5 records

Photographs to explore on museum and library websites, with titles, dates and processes. Each link opens the collection record and its image where one is available.

  1. MoMA · c. 1930

    Untitled

    Gelatin silver print

  2. MoMA · 1932

    Untitled

    Gelatin silver print

  3. MoMA · c. 1934

    Untitled

    Gelatin silver print

  4. MoMA · c. 1935

    Untitled

    Gelatin silver print

  5. MoMA · 1935

    Mannequin in Window

    Gelatin silver print

Other perspectives.

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